The Sony SL-HF450 SuperBetahi-fi recorder gives you most of the key performance advantages that make Betamax such a super video performer. Links to more information are included in the listing of features below.

• Refurbished product that meets or exceeds factory specifications
• SuperBeta and standard Beta and recording and playback
• SuperHi-Band Beta 5.6 MHz s and standard Beta playback only
• Monaural audio recording and playback in speeds and , plays
• Betahi-fi stereo and monaural audio recording and playback
• Input and output connectors for the audio/video LINE IN and OUT
• Feather touch transport function controls
• Programmable timer with 6 events over 7 day period or every day
• Timer Indictor with programming, function and operation stages
• SuperBeta indicator shows a recording is being made in SuperBeta
• Betahi-fi indicator shows a recording is in Betahi-fi stereo
• Stereo broadcast multichannel tuning with SAP reception
• AFT Switch for precise tuning of broadcast stations
• Quick Timer recording in 30 minutes segments up to five hours
• LED peak meters for setting volume levels when recording
• Control-S in and out for centralized wired control
• BetaScan high-speed viewing in forward and reverse during playback
• BetaSkipscan high-speed viewing during fast forward and rewind
• Micro-timing phase (µTP) editing circuitry for cleaner edits
• Single gap video heads for solid recordings and longer life
• Still adjust for pause and step motion adjustment (available in )
• Step-motion: single, 1/5 and 1/10 frames per second (available in )
• Sharpness control adjustment for customizing the video playback
• Headphone jack with volume control for monitoring the audio
• PCM switch for making better copies and playing PCM recordings
• Remote commander (included) wireless control of important functions
• Cable compatible with reception for 1-125, A-8 to W+84 channels
• RF input for VHF, UHF and cable connection
• RF output selectable for VHF channel 3 or 4
• Input switch for selecting TUNER, LINE/PCM or LINE AUDIO
• MPX switch for recording FM broadcast programs
• Linear time readout showing hours, minutes and seconds
• Clock/counter button for checking tape location or clock time
• Synchro-edit for controlling a second recorder during editing
• Editing indicator verifies that the VCR is operating in the edit mode
• BNR noise reduction to reduce hiss in the monaural sound track
• Broadcast stereo and SAP reception (Separate Audio Program)
• SuperBeta ON/OFF switch for making standard Beta recordings
• Power failure back up of 5 seconds to protect timer settings
• DVD friendly performance offers extra control over the playback
• Auto functions: modules 1, 2, 4, 5, 7, 8, 9, 10, 11, 12, 19 and 21 apply
• Operation, safety, and protection features are standard
• Corrections and modifications: modules 1 and 2 apply
• Reproduction of the original owner's manual
• Highlighted wording in the features list
• 711B2 chassis design group

Is this the Betamax you are looking for? To make selection easier I have put together a table that lists them by their pedigree. To see it click here.

The SL-HF450 was pressed into service in a unique way and made possible a musical fad. It was used in an entertainment device called the Videojukebox made by Rowe Manufacturing, a longtime maker of jukeboxes. It was an innovative video concept that gave public establishments the opportunity to earn extra income from their clientele. It did this by offering videos on a big-screen TV of the band playing the music currently coming from the Jukebox. To play these special selections on the Videojukebox would typically cost a dollar extra. Thus the more income part. This operation was only possible because of the Betamax architecture. The tape stays in the VCR's tape path during rewind and fast-forward. This allows for reliable reporting of a tape's (point-in-time) location. Some enterprising engineer at Rowe International recognized that this hours, minutes, and seconds data (HMS) could be used to find specific locations in a cassette. Match a location to the music, and playing back from that programmed spot produced a video to match. It didn't always show the exact song, but you did see the group oe singer going through the motions. To make this happen, the VCR had to be altered to permit control of some basic functions, and software had to be developed to carry out specific commands. Such as rewind, fast-forward, stop, and play. The Betas regular monaural audio track wasn't used for playing the music so it could be utilized for location indexing. This is where tones are placed at specific places in the audio track. These could be counted as they passed by the stationary audio head during long winding periods. When the right number came up, the VCR would stop and the selection began playing, using this HMS counting method. This would help shorten the hunting time in between selections. The system worked well, made money, and went through several upgrades during its life span. If you would like to know more about this marvel, click here.

To check out the huge selection of available Beta format accessories visit the "Betamax Accessories" section by clicking here.

Starting late in 1984, Sony's design ethic began to change. The videocassette recorder had come into its own and was now a staple that belonged in everybody's entertainment center. To promote this image the cabinet shape became more square, and the color became mostly black, or some dark color. They more closely match CD players, stereo receivers, cable boxes, etc. They were all SuperBetas, and they were available in all kinds of variations. You could go from the basic model with no frills (like this SL-250) up to the king of all Betas, the SL-HF1000. This last big diversity push from Sony didn't leave any room for excuses, to someone not wanting to try the format. If there was even a mild interest (because they had constantly heard by now that Beta was the better format), there was one in their price range. Maybe they'd buy one just to try it out and then get hooked. The best takeaway was that while these new higher scale units were good, even the inexpensive models were still excellent performers. Beta was perfected by now and models where glitch-free. The philosophy worked, and some of Sony's best, most popular, and most famous VCRs came after the earlier slimline Betas. It was a new type of ownership now, component video. By now there was also a good number of return buyers that knew Beta was more refined. They weren't swayed by the numbers VHS was racking up. Who cares…!? They wanted the better format, and loyal Beta consumers gave these newest models a warm welcome. Sales were good all across the entertainment industry, and Beta received a lot of love and attention. It was the shot in the arm that the format needed but its market share still continued to dwindle. The market became saturated. Plus Betas good machines from out of the past continued to compete with their new ones. The end was closing in on videotape recording. The DVD age was coming on. During this final era there were at least six SuperBeta monaural models of different grades plus that many and a few more with Betahi-fi stereo. There was also an impressive list of stunning new features to be had. It was the promise of better things to come. It was a good time to go Beta and these last models delivered the finest examples of the Beta format's promise. To always deliver the best.

In 1985, Sony publicly announced that they would no longer offer any standard Beta (picture) only VCRs. Going forward, all new Betamax models would be either SuperBeta or SuperBetahi-fi. Even the Betamovies would become SuperBeta capable. In keeping with Sony's compatibility pledge, the new models would still play back recordings made using the previous standard Beta (and Betahi-fi) machines. There also would be a switch provided for selecting between standard and SuperBeta for both recording and playback. This last statement turned out to not be entirely accurate. While it was true for most models, a few did not come with a switch. This was either done as an economy measure brought on by the pressures in the marketplace, or it could have been that these machines were sophisticated enough not to require a selection to be made (to obtain the best quality sparkle-free video playback*). The last standard Beta unit was the SL-HF500.
* Now what does this mean? For information on this phenomenon, click here.

To examine at the line-up of accessories that are available to expand your Betas versatility visit the "Betamax Accessories" section by clicking here.

PERFORMANCE DETAILS: The SL-HF450 can record and play SuperBetahi-fi in the and speeds. It can also play tapes recorded in SuperHi-Band Beta 5.6 MHz s and standard Beta . Tapes recorded in both Betahi-fi stereo and monaural will play. This VCR was made prior to 1989 and should be unaffected by Copyguard encryption. To examine a Beta format compatibility chart click here. The SL-HF450 MSRP was $750.00 in 1988, that's around $1560.00 in todays money.







I refurbish all the Beta VCRs offered through my Website. If you would like to examine how this is accomplished, I have composed a special section that explains how it's done. To go to the "Beta Refurbishing" section, click here. Read an important message about my refurbished VCRs by clicking here. Do you have one of these premium Betas that isn't working? It is eligible for repair along with a lot of others. To see the list of candidates, click here. For service, click on "Getting It Repaired" in the right button array or click here.


*These rating numbers are comparisons between the Beta VCRS within this particular design group. Contributing factors are engineering quality, popularity, aesthetics, execution, repair frequency, and the number of features and their benefits. Analysis is subjective and should not be considered an endorsement.